Building Novel Connections: How to Center Book Clubs in Today’s Literacy Classrooms

By Dr. Sarah Valter

Almost two years ago, another mom from my children’s school posted a simple question on Facebook: “Thinking about starting a book club. Anyone interested?”

It took approximately two seconds for me to reply with a (likely overeager) “ME!” And I wasn’t alone. By the next day, almost a dozen of us moms–most of us merely acquaintances who gave a polite nod to each other at school parties and social events–were on board. And thus, a book club was born. Since then, our little group has bonded over books about amazing women in historical fiction, unreliable narrators in suspense novels, and too-good-to-be-true love stories.

Why were we all so drawn to be in a book club together?

It wasn’t because we needed a push to read; each of us is a bookworm with a strong reading identity.


It wasn’t because we wanted to write about a book; we each have our own style of recording and reflecting on our reading.

And it wasn’t because we needed an excuse to gather; we all have friendships and social lives both in and out of this group.

It was because a book club was a space for us to grow together through our shared experiences with books. We could explore characters and relationships and the truths that run through our real lives and are reflected in the books we share.

As a former fourth- and fifth-grade teacher, then instructional coach, and now a literacy coordinator, I’ve been watching students navigate their way through book clubs for years. It’s often messy and unpredictable. It rarely goes well the first time (or even the second or the third). Some students struggle to keep up, while others have a difficult time not reading ahead for spoilers. 

As I’ve seen an increase over the past few years in resources that teach reading skills through shorter excerpts of books, it’s affirmed my belief that it’s more important than ever for kids to have the opportunity to meet, discuss, and learn in book clubs. Like adults, kids thrive on the connections that are built through books. 

It’s also critically important that we set students up for success. With limited time, a significant amount of material and standards to teach, and kids with a broad spectrum of needs, it’s essential to set students up with the skills and conditions for successful book clubs. To do that, we need to be clear and intentional in several areas:

  • Focus on what kids need to practice. Our days are filled with opportunities for students to refine their comprehension skills, write about reading, decode multisyllabic words, and learn new vocabulary. These are all certainly things kids can do–in small doses–in book clubs, but what is the true purpose of book clubs? When we set kids up to read and discuss a text, we are extending an invitation for them to construct knowledge in the most social of ways. We want them to come to the table with one idea about a character or plot twist and walk away with a deeper understanding or a shift in their thinking. Book clubs are the place for kids to practice talking about books in ways that push their thinking and engage them in healthy and respectful discourse with peers. All other skills should be secondary to this focus.
  • Teach conversational skills. We don’t expect kids to be natural writers or readers. Similarly, though we know they know how to talk and usually have plenty to say, they often haven’t ever been taught how to have the type of conversation that takes place at the level of a book club. They have to know how to share ideas, support them with evidence from the text, listen to one another, take turns, clarify their thinking, and be willing to shift their ideas and be open to new ones. All of these are skills we can teach through modeling, coaching, and using guided practice during whole group read alouds so that kids are ready to engage in thoughtful conversations during book clubs. These skills do take practice; we also need to remind ourselves to have realistic expectations and to slowly build them over time.
  • Keep it moving. Novels aren’t meant to take two months to read. Often, we slow down the pace of a book in the hopes that all students can “keep up,” but what actually happens is that we neglect to build a sense of excitement and urgency around the novel. While being mindful of the diverse needs of kids in our classrooms and the limited amount of in-class reading time we can provide, we need to set up a schedule of discussions that moves kids in and out of novels within the span of a few weeks.
  • Consider alternatives to clubs centered around one book. In Breathing New Life into Book Clubs (2019), Sonja Cherry-Paul and Dana Johansen lay out several types of book clubs that differ from the norm, pushing teachers to think about grouping kids by genre, author, historical event, identity, goal, or even podcast. Not only have these ideas pushed me to think about grouping kids differently, but they emphasize the ways in which book clubs encourage readers to make connections that are centered around much more than events in one book.
  • Seek opportunities for choice. Many times book clubs are established based on student reading abilities, the number of copies of a book that are available, or a system of voting. While the parameters of clubs are always up to teacher discretion, it is definitely worth it to loosen the reins and be very open to student ideas and choices. Giving kids the opportunity to practice selecting a book and a group will once more position them with the power to drive their own reading decisions.
  • Make it authentic. I have seen and–I will admit–even created many book club “packets” over the years. Why? My decisions were rooted in the need for grades and accountability. However, if anyone were to tell me that I couldn’t attend my adult book club without 3 questions and a summary written down, I would quickly abandon the idea of being part of the group. To stay true to the spirit of a book club, the work (and play) should be focused around talk and sharing ideas. When students have to complete paperwork as an admission ticket to even be part of the club, something natural and authentic is lost. Instead, try having students jot down a few ideas for things they might talk about before they meet, then follow up with a few ideas or new thinking when their conversation has ended. This will allow them to capture their ideas (and share some of their thinking with you) in a way that is not just another task.

Book clubs are, at their very core, a chance for us to hook kids on the social power of books. They bring reading to life in a new way and show our youngest reader that not all readers think and feel the same way about a book. In a time where programs are continually forcing classroom instruction to focus on short excerpts of text and conversational skills are often lost through a screen, what could be more important than allowing kids to connect through a rich conversation about a good book?

References and Recommended Reads:

Cherry-Paul, S. & Johansen, D. (2019) Breathing new life into book clubs: A practical guide for teachers. Portsmouth, NH: Heinemann.

Kugler, S. (2023). Better book clubs: Deepening comprehension and elevating conversation. Portsmouth, NH: Stenhouse Publishers.

Sarah Valter is the district Literacy Coordinator for Lindbergh Schools in St. Louis, MO. In her two decades in education, Sarah has taught in the primary and intermediate grades, mentored new teachers, coached at the building and district levels, and led professional development in literacy. She is also an adjunct instructor at St. Louis University, working with undergraduate and graduate students. Sarah is a wife and mother, spending most evenings driving from practice to practice and weekends cheering in audiences or on the sidelines. You can follow Sarah on X at @LitCoachValter.She believes strongly that all children and adults should not only have the skills to read and write, but also the motivation to live as lifelong readers and writers.

Term Projects: Exploring Choice Writing in a World of Standardized Testing

By Brent Gilson

My early teaching years were in the elementary setting, where I discovered Project-Based Learning (PBL). I loved developing projects and other immersive opportunities for my students to learn and experience choice. Each year, as I moved into new grades, I could provide these opportunities until I found myself teaching Senior High English, and the pressures of standardized year-end exams started weighing down on all of us. 

My first few months teaching the seniors were… boring. I was used to choice writing and exploring interests with my students, and I was stuck teaching them form and expectations based on rubrics for a test they would never use again but had a disproportionate impact on their grades. I wanted to find a balance, a way that student could explore their interests and learn the forms of writing required of them. My answer first started to form with a little (or a lot) of inspiration from the incredible Paul W. Hankins. 

Paul and his students in the legendary room 407 brought the idea of multigenre projects and multimodal representation to life. They explored various types of writing and built incredible pieces around a theme, something my students needed to learn, and I had only been teaching most artificially. What Paul and his excellent students were creating felt so organic. After seeing some ex amples and getting some text suggestions from Paul, I dove right in. My first multigenre project was titled “Make Your Mark” a multigenre project exploring the theme of legacy. 

In my first semester with the project, we had the unfortunate circumstance of COVID-19, which interrupted our time in the classroom. However, it did buy us a free pass from the tests, which were canceled. So, the project became our final. Students embraced the work at the end of the term. I had beautiful tributes written to loved ones and poems that explored the past and were hopeful for the future. Students crafted and recorded songs, built sculptures, and made movies. The creativity was off the charts. The next semester, the exams returned. I followed the same schedule, closing the year with our project, and assumed the students would be ready for their exams because of the volume of writing we were doing. That assumption was incorrect. Projects turned out amazing again, but the heavy focus on choice and joy did not translate as well as hoped to the stale exam format. I needed to make some changes. 

I decided to adopt the idea of a term project in the literal sense. We would take time throughout the whole term to complete it. Introducing the project in the early days of the course, building a schedule with checkpoints, setting days throughout the course that would focus on the project,  and ultimately having the project due at the end of the term. I asked the students how they felt about this process and if they felt it left them enough time to feel comfortable with their test materials while also being able to give sufficient attention to the project. The general feeling was yes, and the current form of Make Your Mark was born. 

Photo collage courtesy of the author.

This year, I had a new class added to my schedule. The Grade 11 kids, or what I think my American friends would call Juniors? I wanted to incorporate a term project with these students as well, and this time, the answer came in the idea of Project Based Writing from Liz Prather. We started the year talking about the freedom to explore topics that interested them—things they would want to write about. We set up Fridays as our term project day. Something that will be protected so that students can better manage their time. Their first task was to develop a pitch; I explained this as a moment to share their topic, why they had chosen it, and what they envision as a final product so far. This past Friday, students shared ideas, some of the ideas included:

  • Basketball Coaching Handbook and Instructional Videos 
  • A picture book about the life of a favorite singer
  • True crime podcast series 
  • Field Guide on Animals of North America 
  • Illustrated Review of MLB ballparks
  • A Food Network-type show 
  • A Horror Movie 

This is just a sample of the creativity. Each project will require written elements such as scripts or episode summaries. Some students will submit chapters of a book after researching different authors’ writing processes. Student inspiration varied from simple interest to spite (this one made us all laugh).  

As we work through the term, we have days where students will share progress and get feedback from me and their peers. We will keep a close eye on how the project is going, culminating in a gallery walk where students will have their work available for peers to experience. 

I have loved the energy that term projects bring into the classroom. They are a moment to breathe in a world of testing. Students get to write about what matters to them, share their hopes and dreams, or even just their creativity. Through choice students learn to share their voice and write with one. It might not be the perfect tool to prepare for exams, but we have time for that; it just can’t be all that English Language Arts is about. Writing is about telling our stories and sharing who we are. That is often lost when we only think of ourselves as numbers. 

Brent Gilson is an English Teacher in Alberta, Canada. He is in his 14th year of teaching, having spent time in grades 3-12. When not teaching, planning, or marking, Brent can be found attending student sporting events with his wife, Julie, an Elementary Principal. Brent has had the opportunity to present at various conferences in Canada and the United States, namely NCTE and ELAC (Alberta’s NCTE equivalent). If you are looking for more of his work and thoughts, check out LiftingLiteracy.com 

3 Ideas for Integrating Literacy into Science Lessons

  1. Think engaging stories to spark curiosity and wonder about our world and discourse moves to encourage more active listening and speaking

Credit: http://www.freepik.com

  1. Think sequencing a STEM-based book and then removing an element from the sequence and discussing the cause/effect

Credit: elementarylibrarian.com

  1. Think segmenting, sorting, and categorizing words from the text. 

By Elizabeth Everett, 2025 Conference Presenter

I used to think that integrating literacy meant starting my science units with a book while using my usual read-aloud routine of predicting, inferring, and questioning.

But integrating literacy during science can go well beyond this.

Let’s take a closer look at how these three literacy integration ideas might look within an early education classroom.

Imagine you are teaching a series of science lessons about the sun.

  1. You read-aloud the book This Is the Sun (Everett, 2022), encouraging students to predict the next animal in the food chain. 

Credit: sciencenaturally.com

You dive deeper into food chains by asking the following open-ended questions:

  • In this book, the fox is at the top of the food chain. What does it mean to be at the top of the food chain?
  • What does it mean to be at the bottom of the food chain?

During your discussion, you strengthen students’ listening and speaking skills with targeted teacher discourse moves designed to help students listen carefully and make their ideas public. (MacDonald, 2017)

Credit: wida.wisc.edu

  1. As you continue discussing food chains, students sequence the story by cutting out paper strips and gluing them together to create a paper chain. (Albelbaisi et al., 2023)

Credit: sciencenaturally.com           Credit: projectsforpreschoolers.com

You “break” the chain by tearing off the paper link for “tree”, discussing what might cause a tree to be removed (chopped down, fire, disease, etc.) and how its effect impacts the rest of the food chain. 

Or maybe students sequence using this circular pattern to help them draw conclusions about the importance of the Sun to all living things. (Albelbaisi et al., 2023)

Credit: sciencenaturally.com

  1. Students complete a word study identifying other “sun” words such as:
  • sunglasses
  • sunflower
  • sunrise
  • sunk
  • sung
  • tsunami

Students then sort and categorize the words:

  • compound words
  • nouns/verbs
  • number of syllables

Or maybe students sort and categorize words (or pictures) from the story, allowing for the organic discovery of rich, science vocabulary such as: 

  • producer/consumer
  • herbivore/omnivore/carnivore
  • predator/prey

Credit: elizabetheverettbooks.com

These integration ideas can be used with the science books you already have, including traditional nonfiction texts—though you may find sequencing easier with narrative nonfiction books. Check out the National Science Teachers Association’s list of Best STEM Books 2024, where you’ll find a variety of fun, engaging formats for all grade levels, including biographies, narratives, and graphic novels. (Best STEM Books 2024, 2024)

Credit: nsta.org

For those of you who like technology, you may also like the website Wonderopolis which is full of high-interest, kid-friendly, questions and answers. For each answer, there are vocabulary words already identified and defined, as well as a word challenge and quiz. The site also offers an immersive reader option and can be shared with students via Google Classroom. (National Center for Families Learning, n.d.)

Credit: wonderopolis.org

Wherever you are in your literacy integration journey, I hope that something in this post resonates with you—whether it’s a different teaching approach to try in your classroom or a new STEM book to read to your students. Thank you for all that you do and may this be your BEST SCHOOL YEAR YET!

References

Albelbaisi, L., Burnham, C., Brooks, M., Romine, C., Stark, S., & Thelen, H. (2023). This Is the Sun Teacher’s Guide. Science Naturally. https://www.sciencenaturally.com/_files/ugd/59efe8_32f69031e57545f9a97fd8e50dd00c3a.pdf

Best STEM Books 2024. (2024). National Science Teachers Association. https://static.nsta.org/pdfs/STEM_2024_print.pdf

Everett, E. (2022). This Is the Sun. Science Naturally.

MacDonald, R. (2017). WIDA Focus on STEM Discourse: Strengthening Reasoning, Strengthening Language (R. Holmes, Ed.). Wisconsin Center for Education Research. https://wida.wisc.edu/sites/default/files/resource/FocusOn-STEM-Discourse.pdf

National Center for Families Learning. (n.d.). Who’s at the Top of the Food Chain? Wonderopolis. https://wonderopolis.org/

About the Author

Elizabeth Everett spent 16 years as a public school teacher in Maryland. She’s taught elementary school, middle school, high school, and at the collegiate level where she worked with aspiring teachers as part of an Urban Teachers Masters Program at Johns Hopkins University. She now homeschools her son and writes books for kids. She is the author of four STEM-based picture books and has several more picture books on the way. You can find her online at elizabetheverettbooks.com and on social media @elizabetheverettbooks.

Sparks in the Dark: Returning to Joy, Love, Curiosity, and Passion

By Travis Crowder and Todd Nesloney

When we published Sparks in the Dark six years ago, our primary goal was to generate discussion in K-12 educational settings about campus-wide literacy initiatives—ones that existed both inside and beyond the literacy classroom. One of the broader ideas regarded the importance of choice in terms of students’ independent reading. We argued that the latitude to read a book of choice is a powerful and necessary element in the development of a reading life. We centered joy, love, and curiosity in our conversation, understanding that without them, the act of reading is mere compliance. And now, at this juncture, we offer a continued discussion about the ways choice ignites a passion for reading, especially the role the educator plays in cultivating joy, love, and curiosity in the reading lives of students. 

Our collaborative literacy work stands on the shoulders of educators, writers, and researchers who assert that students need time to read books of their choice during the school day, particularly if they are to grow into a lifetime of reading and thinking. This assertion, though, implicates the teacher. Yes, educators should provide time for students to select books and read them, but the educator is essential in the calculus of independent reading and the development of an independent reader. Alongside students, educators must develop their knowledge of young adult and children’s literature through extensive reading. Then, we suggest teachers share the books they read with students, provide space(s) for students to preview books, offer time to read, and supply plenty of time for students to write about the books they decide to read. Of course, this assumes that teachers are researching and reading current children’s and young adult books. While students are resourceful and have always found ways to get books of interest (especially in a digital age where kids can easily access book reviews on Instagram and TikTok), the educator is influential in curating collections appropriate for specific age groups, facilitating conversations that help students differentiate between pleasure reading and academic reading (which can overlap), as well as the reasons readers reach for specific texts, and guiding students to think deeply about books of choice, reasons for reading them, and questions they generate while reading. 

In the years since writing our book, we have continued to read and write about the things that matter in literacy work with adolescents. Yes, choice matters. But choice may be limited to what the educator deems worthy or finds captivating. As we mentioned above, we keep coming back to the educator—the individual responsible for co-constructing a learning environment with students and fostering love, joy, and curiosity in themselves. We teach in a time where administrative forces demand a hyperfocus on standardization, lock-step teaching, scripted curricula, and allegiances to pacing and curriculum guides that ignore the teacher/learner dimension of education and center abstraction above the concrete, i.e., the humanity of teaching and learning. When institutions state that they lift and celebrate student learning and educator autonomy, we ask them to show, not tell. To care about students’ learning is to provide space and time for educators to collaborate, research, read, dialogue, and inquire. It demands a shift in thinking about professional development and learning, moving from an imposed system to a teacher-generated initiative. 

To foster such an environment, teachers must have time to collaborate about what it means to read and be a reader. This is a shift from the typical standards-focused conversation, which we understand is an important element in education. However, too often the standards-focused discussions fixate on objectives at the expense of students’ lives, experiences, and interests. When focusing on the reader, conversations tend to be more humane. 

Also, teachers need time to share books and book recommendations and create a community that values the rich questions of readers: What is our teaching and learning community reading? What have you read recently that you can’t stop thinking about? Can you read a sample for us? Why don’t we stop and take a moment to jot our thinking about the sample we just heard? How might this structure (reading, listening, jotting) work for our students’ development as readers? This type of professional community pushes forward the act of reading, not the objectives of reading. This does not mean the objectives aren’t important; it just means that they exist as the act of reading, what we want students to do, is elevated.

We must also think about how we as a campus are placing an importance on literacy. How do we advertise what we’re reading? Whose voice is loudest? Whether it’s signs outside your classroom showing what you’re currently reading, advertising in your email signature, or allowing students to share on the school announcements, sharing is important. Personal recommendations always carry more weight in the reading lives of ourselves, our colleagues, and our students. 

As we seek to discover and read new books and share them with others, one thought we should entertain is, “what have I read that challenged my thinking?” We all have our own perspectives, biases, and thoughts. When we read books that challenge our conventional way of thinking, it opens us up to new ideas and offers us new perspectives. 

In our world today where countless talking heads want to talk about what kids should or shouldn’t read, we always come back to the idea that you know your students and your community best. That’s why reading books before you recommend them, is so important. In the same vein, staying up to date on reading research and the way our brains consume information is instrumental. We can’t ask our students to come into our classrooms and learn every day if we aren’t continuing to learn ourselves. 

Reading is a journey. It’s one that takes many winding paths and isn’t meant to be walked alone. Don’t be afraid to go down those overgrown paths and try books others didn’t enjoy. Take the hand of someone and invite them on your journey. Allow them to experience the book alongside you. And when they want to go in a direction you’re not interested in, let them pursue that path and that book. In the end, we enjoy reading most when we’ve been given a say and a choice. 

As we move forward into this new school year, we strongly recommend teachers have opportunities to meet together to discuss books for children and reading research. This may require a shift in thinking about current professional learning community structures or a renouncement of former ways of implementing them. We suggest teachers keep notebooks to track their thinking about texts, as well as their noticings about teaching and working with young readers. Search online for new book releases, both children’s literature and professional texts. Critically analyze it. Engage others in conversation about what you read and learn and think. Be open to dialogue and feedback. If we want to inspire our students’ joy and passion for reading, we have to spark that fire within ourselves. 

This is one of the best ways to reclaim your joy, your curiosity, and your passion. 

And fall in love with books and learning all over again.

Travis Crowder is a teacher, writer, thinker, and voracious reader. Over time, he has deepened his understanding of the processes and classroom structures that engage students in reading and writing. His goal is to help students uncover the reader and writer inside of them, illuminating a path of self-discovery and a love for literacy. He is an avid fan of young adult literature, adult contemporary fiction, adult nonfiction, and reading and writing research. Travis currently teaches 7th grade language arts and social studies in North Carolina. Travis wrote Sparks in the Dark: Lessons, Ideas, and Strategies to Illuminate the Reading and Writing Lives in All of Us with Todd Nesloney.

Todd Nesloney is the Director of Culture and Strategic Leadership for the Texas Elementary Principals and Supervisors Association (TEPSA). He has also served as the Director of Get Your LEAD On (underneath the Get Your Teach On umbrella) and was previously a Principal/Lead Learner at a PreK-5 school in Texas. He is an award winning author for his books Kids Deserve It!, Stories From Webb, Sparks in the Dark, When Kids LeadIn This Season: Words for the Heart, and his newest book, Building Authenticity: A Blueprint for the Leader Inside You. He has also published a children’s book, Spruce & Lucy.

From Empathy to Compassion: Reading to Make a Difference

By: Katie Kelly & Lester Laminack

When visiting her two-year-old great-nephew’s tot school, Katie was approached by a child who handed her a bouquet of felt flowers. They had never met and had no interactions prior to this moment. Later during circle time, the same child returned to where Katie was sitting on the floor and leaned in for a little side hug.

This simple gesture is not unusual among young children and reminds us what humanity and kindness without fear or judgment looks like. Imagine how the world could change if each of us demonstrated this sort of welcoming, loving kindness to others. How do we teach folks to value the humanity of others without judgment? What might this look like in our classrooms and communities?

In his TED Talk, Drew Dudley discusses the importance of everyday leadership through simple gestures to improve life for ourselves and others. As a college student, he gave lollipops to incoming first year students waiting in line to register. He told one student to give the lollipop to the girl standing next to him in line. This simple gesture connected these two young college students and years later they invited Drew to their wedding.

What simple things can we do to create lollipop moments or flower moments for our students? We believe if they experience those moments and feel the impact of that kindness they are more likely to do the same for others. 

Let’s pause a moment and reflect on the world our students live in. It is a fast-paced life where people tend to rely on devices for connection to others. How do we slow down, be present, notice others, and celebrate our shared humanity? How do we teach young people to take action to improve the life of others?

Empathy is the ability to connect with others by being aware of, being sensitive to, and understanding and sharing in their thoughts, feelings, and experiences (Bazalgette, 2017; Henshon, 2019). It “helps us imagine the pain, joy, suffering, exhilaration, and love that other people feel, informing our choices and leading us to make connections” (Henshon, 2019, p. 14). Those human connections and trusting relationships not only support our overall wellbeing but also strengthen our abilities to support one another in a shared democratic community.

Empathy involves the ability to listen without judgment, to recognize emotion in others and communicate it (Mindshift, 2017; Brown, 2021). It also positions us to see the world from different perspectives and experience the world at a deeper level (Henshon, 2019). 

Teaching empathy and perspective taking can easily and naturally be woven into our daily instruction through read aloud experiences. Studies reveal that reading literary fiction can improve our ability to empathize with (emotional empathy) and understand others’ thoughts, feelings, and actions (cognitive empathy). Stories about the human condition, for example, help us recognize our common humanity, celebrate our differences, and come to better understand others (Bazalgette, 2017; Kelly et al., 2023). 

Literacy and literature hold great power in connecting us as human beings (Mirra, 2018). With each turn of the page, readers interact with the characters and the developing plot. As readers imagine characters’ thoughts, feelings, and intentions, they compare with their own (Lysaker & Tonge, 2013). They make connections, build background knowledge, and consider new information as they synthesize. They weave  ideas from the text with what they already know to infer about the characters’ thoughts, feelings, and motives. This type of inferential thinking supports the ability to engage in perspective taking, a central component of empathy (McCreary & Marchant, 2017).  “When the reader stands in [their] own worldview, unable to see or conceive of any other perspective, a book can be a bridge” (Laminack & Kelly, 2019, p. xiii). Stories provide readers with opportunities to witness life from various perspectives moving beyond oneself into the lived experiences of others.

The book, The True Story of Three Little Pigs by Jon Scieszka is commonly used as an entry point to teach about counter narratives (stories about those who have been historically marginalized). In the twist on the traditional tale, the wolf narrates the story offering his perspective to provide greater context that may humanize him and portray him as benevolent and lead the reader to build empathy for him. Since told from his perspective, the traditionally vilified character is humanized leading towards greater empathy for his situation.

The story, Hey, Little Ant by Phillip and Hannah Hoose offers another opportunity for students to examine how considering multiple perspectives can give us new insights into the dynamics of power, choice, and empathy. The story, written in the format of a reader’s theater script, presents a dialog between a young boy and an ant. The boy and his friends see squishing ants as a game, but the ant offers the boy (and readers) another perspective. That new information opens the door to conversations, consciousness, and choice.

In our classrooms we can plant seeds of empathy through intentional selection of texts for read aloud experiences followed by engaging conversations that may sprout compassion. Compassionate empathy involves a shift from understanding another’s perspective or feelings towards an action-oriented response as a form of solidarity, support, and revolutionary love.

In our book Reading to Make a Difference (2019), we offer an instructional framework to engage students in meaningful conversations with many examples of how students can take action individually or collectively to make a difference in their lives, the lives of others, and the world around them. As students read a collection of intentionally selected texts, they connect, reflect, and consider ways to take action – to do something as a result of reading. This shift from reading to connect and reflect towards taking action demonstrates a shift from empathy to compassion.

For instance, the students in Britney Ross’s first grade class delved into three books focused on honoring others. Together they read Each Kindness by Jacqueline Woodson, Those Shoes by Maribeth Boelts, and Enemy Pie by Derek Munson. Each of these stories offers several points of potential connection for readers. Those connections become sparks for guided conversation and moments of reflection. It is during these reflections that students typically express their sense of injustice and the desire to do something, to help make it better. Britney’s class settled on three suggestions: 1) launch a kindness project and do an act of kindness each day, 2) make a video of acts of kindness and send it out to the school, and 3) make kindness posters to display around school and the neighborhood. They chose to make posters to take their action beyond the school population. A few days later the students received a letter from a neighbor stating how the posters had helped brighten her day and gave her the nudge she needed to address something that was making her sad. When children are moved to the point of action by the power of story they can, and do, make a difference. 

“We believe that when we center our common humanity in our shared spaces of teaching and learning, we can develop essential connections and foster a caring and compassionate community where all individuals practice empathy and are inspired to take individual and collective action that leads to social justice and equity” (Kelly & Laminack, 2024).

References

Bazelgette, P. (2017). The empathy instinct: How to create a more civil society. London: John Murray Publishers.

Brown, B. (2021). Atlas of the heart: Mapping meaningful connection and the language of human experience. New York: Random House.\

Henshon, S. E. (2019). Teaching Empathy: Strategies for building emotional intelligence in today’s students. Taylor & Francis Group.

Kelly, K. & Laminack, L. (2024). Developing Empathetic and Civically Engaged Readers. Language Arts,101(4), 278-280.

Kelly, K., Laminack, L., & Vasquez, V. (2023). Critical Comprehension: Lessons for Guiding Students to Deeper Meaning. Corwin: Thousand Oaks, CA.

Laminack, L. & Kelly, K. (2019). Reading to Make a Difference: Using Literature to Think Deeply, Speak Freely, and Take Action. Heinemann: Portsmouth, NH.

Lysaker, J. & Tonge, C. (2013). Learning to understand others through relationally oriented reading. The Reading Teacher, 66(8), 632-641.

McCreary, J.J. & Marchant, G.J. (2017). Reading and empathy. Reading Psychology, 38, 182-202.

Mindshift. (2017, February 8). Empathy is tough to teach, but it is one of the most important lessons. Retrieved from https://www.kqed.org/mindshift/47502/empathy-is-tough-to-teach-but-is-one-of-the-most-important-life-lessons

Mirra, N. (2018). Educating for Empathy: Literacy learning and civic engagement. New York: Teachers College Press. 

Katie Kelly is a professor at Furman University in Greenville, South Carolina. As a former teacher and literacy coach, Katie’s teaching and research interests include engaging children in meaningful literacy experiences and practices to foster lifelong literacy, equity, and justice. 

She is widely published in various peer-reviewed journals including The Reading Teacher and Voices from the Middle. She has co-authored four books: Critical Comprehension: Lessons for Guiding Students to Deeper Meaning (Corwin); Reading To Make a Difference: Using Literature to Help Students Think Deeply Speak Freely and Take Action (Heinemann); From Pencils to Podcasts: Digital Tools to Transform K-12 Literacy Practices (Solution Tree); and Smuggling Writing: Strategies that Get Students to Write Every Day, in Every Content Area (3-12) (Corwin). She can be contacted by email at Katie.Kelly@furman.edu.  

Lester Laminack, Professor Emeritus, Western Carolina University in Cullowhee, North Carolina is a full-time writer and consultant working with schools throughout the United States and abroad. He is the author of over 25 books for teachers and children. His academic publications include Climb Inside a Poem (Heinemann) Cracking Open the Author’s Craft (Scholastic), Bullying Hurts: Teaching Kindness Through Read Aloud and Guided Conversations (Heinemann), The Writing Teacher’s Troubleshooting Guide (Heinemann), Writers ARE Readers: Flipping Reading Strategies 

into Writing Instruction (Heinemann), Reading to Make a Difference (Heinemann), The Ultimate Read Aloud Guide 2nd Edition (Scholastic) and The Ultimate Read Aloud Collection Fiction and Nonfiction (Scholastic). His newest work for educators is Critical Comprehension: Lessons for Guiding Students to Deeper Meaning (Corwin). 

Lester is also the author of several children’s books including: The Sunsets of Miss Olivia Wiggins, Trevor’s Wiggly-Wobbly Tooth, Saturdays and Teacakes, Jake’s 100th Day of School, Snow Day!, Three Hens and a Peacock (2012 Children’s Choice K-2 Book of the Year Award), and The King of Bees all published by Peachtree Publishers. His most recent book for children is Three Hens, a Peacock, and the Enormous Egg. His next book, A Cat Like That is scheduled for publication in January 2025.

Lester is available for professional development and school author visits. You can contact him via his website www.LesterLaminack.com and follow him on Facebook at 

https://www.facebook.com/lester.laminack or on Twitter @Lester_Laminack