Writing Ideas: Keeping it Real

by Amy Ludwig VanDerwater, 2026 Conference Featured Author

Right now, as millions flirt with AI partners, discuss suicide with ChatGPT, doomscroll, laugh at fake videos of bunnies jumping on trampolines, soothe loneliness by talking with Alexa, and settle in for hours of gaming in both dingy basements and luxurious leather chairs, snow falls softly outside. One cardinal swoops across a cold winter sky.  This small, feathered flash of red may go unnoticed though; many of us are looking at digital windows instead of out of glass ones. Our bodies are in the real world, but our minds are in the cloud. 

As writing teachers, we show our charges how to analyze mentor texts, try craft moves, and study sentence structure. And while writing craft matters, it is important to remember that literature does not exist to be deconstructed. We humans write to share ideas, explore feelings, teach concepts, tell stories, and express opinions. Humans write to connect with other humans. Artists write and paint and dance and sing about their ideas. Yet often, our young writers lament, “I don’t have any ideas.”

In this very-virtual time in history, we must remind our students that the concrete world of our senses is a meaningful and worthwhile place to spend time and examine. It is our job as teachers of writing to help students find ideas by (re)connecting them to the actual, physical world of planet earth. How do we help our digital-native students believe they can conjure and elaborate on their own ideas without relying on Gemini?

Turn Tech Off When Not in Use – We can turn interactive whiteboards on when we use them and turn them off when we are finished using them. This models intention – we turn technology on when we need to use it. Screens need not constantly stare at us.

Read Books Straight Through – We can read whole poems and books straight through, allowing students to get lost in texts. By reading whole texts aloud, we give students new worlds to inhabit and imagine. Listening to whole texts focuses and lengthens attention and builds empathy. We can always return to these texts later to evaluate craft moves or character traits.

Visit Nature Outside – We can take children outside to make shadows, gather oak leaves, watch a robin look for worms, reminding these children that our world is beautiful, interesting, and worth learning about. We can teach them the names of a few local plants and animals so that they will recognize and care about these plants and animals as fellow living things.

Bring Nature Inside – We can set up a wee nature table, inviting students to share found shells and stones and pinecones, helping them notice and wonder about pocket-sized, free treasures. Many of the best treasures, after all, are free, and free is for everyone.

Keep Notebooks – We can write for a few minutes each day, by hand, in paper notebooks. By doing so, we help students develop agency as they realize one need not be plugged in to create. Writing in notebooks, students realize that thoughts come through the motion of a hand on the blankness of a page with the inkness of a pen.

Be Present – We can turn our own phones off when in our students’ presence. When we do this, we silently say, “I will not be distracted from this important time we have together.”

Make Art – We can make things with our hands, folding origami stars or painting with watercolors during a ten minute transition. Students deserve to know that their growing bodies can manipulate materials in the 3-D world as well as their thumbs can manipulate pixels in the 2-D world.

Make Peace with Quiet – We can provide a few moments of quiet, allowing students to put their heads down or close their eyes or breathe deeply. While they (and we) may be uncomfortable at first, they (and we) will come to trust that every quiet space need not be filled with beeping and Googling. Brains think new thoughts when given such space. 

Engage Students’ Senses – We can offer our students tiny sensory experiences: smelling cinnamon, touching sheepskin, tasting cider. While video game characters fly and shoot aliens, human bodies touch and taste and smell and hear and see. We cannot control the hours of online time students spend at home, but we can feed their senses as we look at light through a prism or pass around a scrap of velvet. We can remind students that human beings have senses and that ideas come through these senses.

Listen and Model – When students say “I don’t know what to write,” we can listen. Rather than suggesting topics, we can share bits of our own real lives and pages from our own paper notebooks, modeling how we find ideas through the act of writing, modeling how we allow our thinking to change and do not expect perfect ideas to arrive fully formed.  We can trust that – through our trust – young writers can and will welcome ideas of their own.

Yes, AI is everywhere. Yes, many parents know students’ grades before students do, and many young people are digitally tracked wherever they go. Yes, children and adults both play hours of video games daily. Yes, it is difficult to know what is real and what is not real online. It’s all true. But so are cardinals true. So is snow true. And a most precious role of the writing teacher is to point to cardinals, to encourage students to touch snow. For real.

For ideas’ sake.

Amy Ludwig VanDerwater is author of several poetry and picture books for children, including Forest Has a Song, With My Hands: Poems About Making Things,Write! Write! Write!, and her latest, The Sound of Kindness. A former elementary school teacher and longtime writing teacher with a master’s degree from Teachers College, Columbia University, Amy is also author of the professional book Poems Are Teachers: How Studying Poetry Strengthens Writing in All Genres. She has blogged for children at  The Poem Farm since 2010 and is interested in your ideas about keeping it real in education. Find Amy online HERE, and watch for her forthcoming book, John and Betsy, a story told through poems.

Purposeful Read-Alouds to Build Comprehension

By Katie Kelly, 2026 CCIRA Featured Speaker

With the increased attention on phonics instruction, we cannot overlook the essential purpose of reading as construction of meaning. Comprehension and critical thinking skills must be prioritized alongside foundational skills such as phonics, while also honoring and centering students’ cultural and linguistic backgrounds (Compton-Lilly et al., 2023; Duke et al., 2021). Expanding beyond narrow ideas of reading instruction to include more robust and comprehensive approaches increases students’ comprehension, engagement, and joy when reading.

Purposeful Read-Alouds

Purposeful daily teacher read-alouds serve as an easy and effective approach to supporting key aspects of reading development and engagement. Read-alouds enhance language comprehension by building students’ background knowledge, academic vocabulary, and understanding of sentence structure—key aspects that contribute to overall reading comprehension. In addition, read-alouds provide opportunities for adults to model bridging processes such as fluent reading, self-regulation, and strategic thinking (Duke & Cartwright, 2021). By modeling their own think aloud processes before, during, and after reading, adults can demonstrate how proficient readers monitor comprehension, ask questions, and make meaning from text. Thus, read-alouds not only strengthen essential language comprehension skills but also promote the cognitive and metacognitive habits necessary for independent, joyful reading.  

Intentionally Selecting Read-Alouds 

When selecting texts for read alouds, choose books that serve as mirrors, reflecting students’ identities, interests, and cultures allowing children to see themselves reflected, affirming their identities, making them feel valued, and increasing their interest in reading. It’s also important to select books offering windows into different stories, experiences, and perspectives to expand children’s worldviews (Bishop, 1990). When read-alouds intentionally represent a range of experiences and perspectives, children develop cultural awareness, a sense of belonging, empathy, and a deeper sense of shared humanity. 

Consider:

  • How does the book reflect students’ identities, cultures, and interests? 
  • Does it challenge stereotypes and move beyond single stories?
  • Is the text authentic and accurate? 
  • Could the text cause harm? If so, for whom? 

Secondly, it’s important to consider instructional entry points for read-alouds. Choose texts with rich language, complex themes, and opportunities for critical thinking and discussion. Explore standard alignment and students’ academic and social-emotional needs.

Consider:

  • What do I want students to think about, question, or take away?
  • How will this text connect with standards and help build background knowledge and vocabulary?  
  • What potential challenges may impede students’ understanding? 
  • Where can I pause to model comprehension strategies (e.g. connections, summary, inferences, asking questions, etc.)? 
  • What other texts can be layered to deepen understanding? 

Plan ahead for unfamiliar vocabulary, abstract concepts, or cultural references. Identify moments in the text to pause and clarify ideas, build background knowledge, and invite discussion. These instructional entry points create opportunities to deepen students’ comprehension, engage in discussion, and nurture classroom community. 

Book List Resources: 


Read-Aloud Using the Multiple Read Framework 

To support deeper, critical comprehension during read-alouds, engage students in multiple readings of the same text. The first read introduces the text, the second builds shared understanding, and the return read promotes critical comprehension (Kelly et al., 2023).

First Read – The “Movie Read”
Read the book in its entirety without interruption, allowing students to enjoy the story and react emotionally. Ask open-ended questions like “What did you notice?” or “What surprised you?” to build familiarity and set the foundation for deeper engagement.

Second Read – Deepen Comprehension
Revisit the text to explore vocabulary, concepts, character motivations, plot development, and key ideas to build comprehension. Model proficient reader strategies through think alouds (e.g. connect, infer, ask questions, etc.). 

Return Read – Read Critically
Analyze the text to examine perspective, power, and bias. Encourage students to question the text, challenge stereotypes, and consider alternate viewpoints. 

Sample critical questions include:

  • Whose voice is heard? Whose is missing?
  • What assumptions does this story make?
  • How might a different character tell this story?
  • Who benefits from the message of this text—and who might be harmed?

Tip: If pressed for time to reread the entire book for the second and return reads, revisit intentionally selected excerpts of the text based on instructional goals.

Sample Multiple Read Framework: Dragons Love Tacos by Rubin

This story helps readers understand how paying attention to details matters—even small ones like what kind of salsa is served. It also shows how trying to do something kind (like throwing a party) can have unexpected results when you’re not careful.

Next compare with the dragon in the The Paper Bag Princess by Munsch, then explore lessons comparing the main character, Elizabeth with female characters in traditional fairy tales. The following text set demonstrates how to build on ideas and perspectives introduced in each subsequent book. 

Text Set Connections & Extensions:

For more sample lessons using the multiple read framework, see Critical Comprehension: Lessons for Guiding Students to Deeper Meaning

Read-Aloud as Transformation 

In today’s classrooms—especially amid rising book bans and cultural erasure—it is essential to use read-alouds to center students’ voices, celebrate diverse stories, and encourage critical comprehension. Through intentional planning and repeated engagement with thoughtfully selected read-alouds, students develop not only as better readers but more empathetic, informed, and justice-oriented citizens. 

Reflect: 

  • How will you bring more purpose to your read-alouds? 

For more, check out Katie’s co-authored books including her newest book From Empathy to Action: Empowering K–6 Students to Create Change Through Reading, Writing, and Research. She can be contacted at ktkelly24@gmail.com

References

Bishop, R. S. (1990). Mirrors, windows, and sliding glass doors. Perspectives: Choosing and Using Books for the Classroom, 6(3), ix–xi.

Compton-Lilly, C., Spence, L. K., Thomas, P. L., & Decker, S. L. (2023). Stories grounded in decades of research: What we truly know about the teaching of reading. The Reading Teacher, 77(3), 392–400.

Duke, N., Ward, A.E., Pearson, P.D. (2021). The Science of Reading Comprehension Instruction. The Reading Teacher, 74(6), 663-672.

Duke, N. K., & Cartwright, K. B. (2021). The science of reading progresses: Communicating advances beyond the simple view of reading. Reading Research Quarterly, 56(1), 25–44.

Hass, C., Kelly, K., & Laminack, L. (2026). From Empathy to Action: Empowering K–6 Students to Create Change Through Reading, Writing, and Research. Routledge.

Kelly, K., Laminack, L., & Vasquez, V. (2023). Critical Comprehension: Lessons for Guiding Students to Deeper Meaning. Corwin.

Laminack, L. & Kelly, K. (2019). Reading to Make a Difference: Using Literature to Help Children Think Deeply, Speak Freely, and Take Action. Heinemann. 



True Student Voice: Helping students be better speakers

By Erik Palmer

voice

1. The sound produced in a person’s larynx and uttered through the mouth, as speech or song. https://en.oxforddictionaries.com/definition/voice

    Student voice. What a hot topic! I’ve seen educational conferences with themes such as “Raising Student Voice” (NCTE) and “Speak Up! Finding and Using Our Voices in a Noisy World” (NEATE), social media posts about how to increase student voice, and educational publications with articles about student voice. “Voice” is one of the most popular educational buzz words.

    Unfortunately, every single one of the mentions of student voice ignores the first and most important meaning of voice: speaking. The conference with the theme “Speak Up”? Not one strand about oral communication. The “Raising Student Voice” conference had hundreds of sessions with exactly ONE session about how to improve students’ oral communication. Think about that. What an epic fail.

    When you see the word voice used by educators, it might mean choice or options as in “give students voice instead of directing their learning.” Sometimes it means opinion as in “we need to value student voice and make them feel comfortable expressing their ideas.” Sometimes it means literary style as in “Hemingway has a unique voice in his writing, and we want students to develop their voice as well.” I’m not arguing with any of those: I think we should give students choices, we should value their opinions, and we should let them have their own style. But we should also give them the gift of being able to verbalize well because when you see the word voice used by everyone else on the planet, it means what you hear.

    How can so many people talk about giving students voice without thinking about oral communication? That’s the original and most important voice! How do we declare what we want? How do we express our opinions? Overwhelmingly by speaking. We say things out loud. Often, that speaking is face-to-face, but increasingly digital media is used which expands the reach and importance of verbal communication. Tragically, students don’t speak well. You’ve noticed. Good speaking is not the norm for students. As much as we value writing, speaking is by far the number one way to have an impact.

    “All kids can talk already.” “Speaking is not on the Big Test.” “I have never been trained about how to teach speaking skills.” “I have activities where I make students speak so I have this covered.”

    These are good excuses for ignoring the direct instruction needed to give students real voice. But the truth is, it isn’t that hard to teach students how to speak well. Just as there are specific lessons to improve writing (punctuation, capitalization, word choice, sentence structure…) and to improve math (common denominator, order of operations…) and to improve reading (setting, metaphor, plot line…) there need to be specific lessons to improve speaking.

    I’ll give you one example. The biggest weakness of almost all speakers is that their talks are dull. They speak in a lifeless way. You know that it is difficult to listen to the end of any student podcast. 

    Lesson one: to demonstrate the importance of adding life to their voices, let students practice with phrases where the meaning can change depending on how it is said.

    I don’t think you are dumb. (But everyone else does?)

    I don’t think you are dumb. (You know I am?)

    I don’t think you are dumb. (You think he is?)

    Lesson two: Play this: https://www.youtube.com/watch?v=Ouic59Gv0x0 There is a visual of a voice with no life and a visual of a voice with life along with audio modeling the difference. You may have a hard time getting through the 81 seconds of the student’s talk, a great lesson in how weak speaking skills can kill listener interest.

    Lesson three: Give a small practice speech where adding life makes a huge difference. Have different students speak encouraging each one to add lots of feeling.

    One time, we had a squirrel in our house. When we opened the door to let our dog out, it ran right in. Everything got crazy! The squirrel was running all over! My mom was yelling, “Do something! Do something! Get that thing out of here.” My sister jumped on a chair and stood there crying her eyes out. My dad was chasing the squirrel with a broom from room to room.  “Open all the doors!” he yelled to me. “I did already!” I yelled back. Finally, it ran out. After a minute or so, my dad started laughing. “That was interesting,” he said with a chuckle.

    All three of those combined might take 40 minutes of instructional time, and every student will learn one of the keys to effective speaking. Will all students master this? Of course not, just as not all master the skills of writing or math or drawing or anything. But all will get better, and all will understand how to communicate better. Many more resources are here: pvlegs.com and in this book: www.routledge.com/9781032757575

    Erik Palmer is a professional speaker and educational consultant from Denver, Colorado, whose passion for speaking has been part of every one of his multiple careers. After several years in the business world, he became a teacher, spending 21 years in the classroom, primarily as an English teacher but also as a teacher of math, science, and civics.

    The author of several books, Palmer presents frequently at conferences and has given keynotes and led in-service training in school districts across the United States and around the world. He focuses on giving teachers practical, engaging ways to teach oral communication skills and showing education leaders how to be more effective communicators. Contact him here.

    Boost Student Comprehension Through Intentional Movement

    By Gravity Goldberg, 2026 CCIRA Conference Featured Speaker

    Students spend about fifty percent of their day sitting in chairs (Paul, 2021), yet studies across disciplines have shown that movement increases attention, engagement, memory, prediction, and literal and inferential comprehension. As a field, education has not focused on the research on how intentional movement can be integral in developing comprehension for students of all ages and across contexts. Incorporating movement into lessons can boost memory, lead to more literal comprehension, help with prediction, and support understanding of metaphorical language. 

    Memory In Enhanced Through Movement

    A series of studies found that memory is enhanced through movement. For example, undergraduate students who incorporated movement into their learning remembered sixty-six percent of the material they were studying compared to those who did not incorporate movement and only recalled thirty-seven percent (Noice et al, 2001). In another study, actors were found to remember their lines with ninety percent accuracy even months after a play ended when they learned their lines while they performed the movements that went along with them (Noice et al, 2000). The good news is that once a movement has been performed, students do not need to keep repeating the movement to get the benefit. They don’t need to move around while taking a test for example, and they will still get the support from the previous movement experiences. The original movement creates a mental “tag” that helps the students’ brain hold onto the information as important. 

    When teaching students to incorporate movement into their learning you can help identify what is worth remembering and then show them how to add in movement. The following table shows an example of what this might look like in a classroom. 

    When we want to remember…Look For…Try out…
    Plot points for retellingCharacter actions (verbs)Making the actions the character makes with our own bodies
    Main ideas in informational textBold words, headings, and repeated ideasActing out the information (ex, make your hand slither like a snake)
    Say the main idea while also creating a gesture to go with it (ex. draw a box in the air)
    Details that support ideasExamples, non-examples, lists, and visuals Using your fingers to connect ideas (ex, touch the top of the finger to state the big idea and then move down your finger as you state the details)
    Comparisons Similarities and differences Making a venn diagram with your gestures (ex. Each hand is a different item being compared so raise that hand while you say the information and put your hands together when the information is the same for both)

    Literal Comprehension Is Enhanced By Movement

    In one study of the Moved By Reading approach, researchers asked first and second graders to read a short passage about farm life. Half of the students in the study were given farm toys such as a barn, tractor, and cow. Periodically a light would turn on and students were asked to either reread or act out the story using the toys. After the reading, the group of readers who were asked to act out the story were better able to remember details from the story and make inferences compared to their peers who were only asked to reread. Acting out a story boosted students’ understanding by fifty percent compared to those who simply reread (Glenberg et al, 2004). In similar studies with reading math problems, Glenberg and his colleagues found that acting out the math problem’s story helped students identify information that was important for the solution. 

    In additional studies in the Moved by Reading approach, the researchers removed the toys that were used for acting out the passage. Instead, the group of students was asked to imagine manipulating the toys. They used this phrase “imagine manipulating the toys” because it was directly related to the actual movement the students had previously done and it made the directions clear. Again, students in the group that were asked to imagine the movement made huge gains in comprehension. This held true with third and fourth graders who read new stories, not just the ones they had previously read with the toys in hand (Glenberg et al, 2004). 

    The instructional implications of this approach mean it can be helpful to put out some comprehension manipulatives that students can use when first reading a text. The following table offers some suggestions for what you might offer students. Even secondary students find them helpful when reading more complex texts. 

    ManipulativeHow Students Might Use Them
    play dough Create models, artifacts, and scenes
    Make comparisons of size, shape, and distance of objects created 
    Represent pressure, tension, and experience sensory input that matches relationships
    sticky noteSequence events by using each sticky to represent an event
    Organize information into categories with one piece of information per sticky
    blocksBuild ideas by stacking blocks to represent each idea
    Construct settings that character manipulatives can move within
    popsicle stickKeep track of quantities
    Use them as pointers
    Build bridges between other manipulatives
    paper clipsTrack quantities
    Build connections
    Use them as props when figurines reenact scenes

    Prediction Is Enhanced Through Movement

    We tend to think that a student’s ability to predict what will happen next is based on prior knowledge and the ability to make an inference. This is only part of what is going on. By looking at hockey and football players who are experienced with performing sport specific actions, researchers found that having physical experience performing actions that were later read about increased their comprehension (Beilock, 2015). This means that it is not just general background knowledge that can help students comprehend text but also movement experiences in their bodies. In order for a student to predict what will happen next they need to envision what is currently happening, by running it through their body’s motor system. They are imagining themselves doing the movement and their bodies are experiencing the actions on these pages as if they themselves are performing them. 

    While this benefit of being experienced with the actions in the text is helpful to some, it obviously does not benefit all students, especially those who don’t have the prior experience of performing similar movements. Researchers have also found that observing someone perform actions does have a positive effect on predictions. For example sports fans act out the sport they are watching in their motor system, as if they were one of the players themselves. This was shown to lead to better prediction accuracy of upcoming sports actions (Beilock, 2015). For those students whose bodies are not physically able to make the movements described in the text, they can still observe others perform them and get a benefit of motor system activation and prediction accuracy.

    The following three lesson ideas can be woven into your teaching.

    • Model how to act out a scene. Then think aloud about how you use the acting experience to predict the next action(s). This can be done in small group lessons.
    • Prompt students to act out the character actions and then use that experience to predict the next action(s). This can happen during the whole class read alouds.
    • Prompt students to simulate the actions in their own minds (thus activating their motor system). Then have them mentally simulate what they think the next action will be (prediction). 

    Language Comprehension Is Enhanced Through Movement

    One type of language that many students struggle with understanding is language that draws upon metaphor. Texts include this kind of language so often we may not even have it in our awareness. Take for example, this excerpt from the popular book The Wild Robot Protects, by Peter Brown (2023). 

    “Later, Roz lightened the mood with stories of Brightbill from when he was young. The conversation flowed smoothly until Roz brought up one particular subject” (p. 17). 

    Each of the bolded phrases shows an example of language that includes metaphor that can be tricky for students to understand, especially those who are still learning English. There is nothing literal about lightening the mood or flowing in a conversation, so students who read this benefit from understanding how metaphors work. This is where intentional movement fits in. 

    George Lakoff and Mark Johnson’s book Metaphors We Live By (1981) describes the ways metaphors are almost always tied to physical movement, and therefore, need to be understood in an embodied way. Take for example when we say a person is “flying high” or “down in the dumps.” These metaphors match the physical ways we carry out bodies when we are happy (we stand taller and our back and chest widen) and when we are sad (we slump down). With thousands of examples, they show this phenomenon time and again. Our language of metaphor comes from the ways we hold and move our bodies. 

    Since there are so many metaphors in the texts we ask students to read, they can be better understood through body movements. If we explicitly teach students to make physical movements that match the metaphors they encounter, they begin to develop the ability to interpret what they mean. 

    Let’s go back to the excerpt from The Wild Robot Protects. Students can create movement to match the phrase “lightened the mood” by picking up an imaginary mood and moving it upward like a cloud in the sky. They can make their hands “flow smoothly” along the table to understand flow. Partners can pick something up to show “brought up” and discuss how it felt. The key is intentional movements that take just a few seconds, but create a lasting impact on conceptual understanding. Having done this sort of work with students across grades and contexts, once they understand the process and purpose, they find it fun and helpful. 

    Take a look at the table that follows. It shows how you can choose some common metaphorical language and bring movement in to help teach it. This table is just one example of what it might look like. Ideally, you are also using the language that is naturally coming up in conversations or texts in your own curriculum. 

    A three step process for teaching metaphorical language with movement looks like this.

    1. Pause: Pause when you come to a metaphor.
    2. Move: Move your body to match the metaphor.
    3. Ponder: What feeling is associated with the movement? How does it connect back to the text?

    Movement Enhances Comprehension

    By intentionally choosing to include movement, teachers can support students literal and inferential comprehension. These movements do not need to be separate, add-on lessons and can be attached to what teachers are already doing. As a bonus, adding in movement can boost student engagement and help keep students focused on learning. Many teachers recognize that their students are craving movement to stay regulated, using fidgets, wobble chairs, or just bouncing up and down as they read. By welcoming more movement into class, teachers can harness students’ natural need to move and help them become better readers too. 

    References

    Beilock, S. (2015). How the body knows its mind: The surprising power of the physical environment to influence how you think and feel. Atria Books. New York.

    Brown, P. (2023). The wild robot protects. First edition. New York, Little, Brown and Company.

    Glenberg, A. M., Gutierrez, T., Levin, J. R., Japuntich, S., & Kaschak, M. P. (2004). The Moved by Reading studies . 

    Lakoff, G., & Johnson, M. (1981). Metaphors we live by. University of Chicago Press.

    Noice, H., Noice, T., Kennedy,  C. (2000). Effects of enactment by professional actors at encoding and retrieval. Memory. 353-363.

    Noice, H., & Noice, T. (2001). Learning dialogue with and without movement. Memory & Cognition, 29(6), 820–827. 

    Paul, A.P. (2021). The Extended Mind: The Power of Thinking Outside the Brain. New York, NY: Houghton Mufflin Harcourt.Gravity Goldberg is an international educational consultant and author of eight books on teaching. Mindsets & Moves (Corwin Literacy, 2015) put her on the world stage with its practical ways to cultivate student agency, leading to speaking engagements and foreign translations of her work. She has almost 20 years of teaching experience, including positions as a science teacher, reading specialist, third grade teacher, special educator, literacy coach, staff developer, assistant professor, educational consultant, and yoga teacher. Gravity holds a B.A. and M.Ed. from Boston College and a doctorate in education from Teachers College, Columbia University. She is the founding director of Gravity Goldberg, LLC, a team that provides side-by-side coaching for teachers.

    Gravity Goldberg is an international educational consultant and author of eight books on teaching. Mindsets & Moves (Corwin Literacy, 2015) put her on the world stage with its practical ways to cultivate student agency, leading to speaking engagements and foreign translations of her work. She has almost 20 years of teaching experience, including positions as a science teacher, reading specialist, third grade teacher, special educator, literacy coach, staff developer, assistant professor, educational consultant, and yoga teacher. Gravity holds a B.A. and M.Ed. from Boston College and a doctorate in education from Teachers College, Columbia University. She is the founding director of Gravity Goldberg, LLC, a team that provides side-by-side coaching for teachers. Find her latest book on movement here.

    Reading Identity Matters: A Broad View of Foundational Skills

    By Hannah Schneewind and Dr. Jennifer Scoggin

    Recently, we sat next to a kindergartener as she read a book about all the animals that a boy sees in a pond. At the beginning of the book, she giggled and whispered,  “I hope he finds an alligator.”  After reading each page, she said, “And next, he will find an alligator.”

    Alas, the boy never did find an alligator. Disappointed, but undeterred, this kindergarten reader announced, “I’m going to write my own book called Alligator Man.”  She jumped up, grabbed some writing paper and got to work. In her finished book, the last page reads, “Then he sees an alligator. AAAAAA!!!” 

    We all dream of and cherish these moments when everything a student is learning comes together so beautifully and with this level of independence. These moments are within every students’ reach. How can we intentionally prepare to make these moments a regular occurrence for all students?

    Teaching reading and readers is a constant juggling act. The research on the positive impact of instruction in the areas of fluency, decoding, phonemic awareness, vocabulary and comprehension is well established (Young, Paige & Rasinski, 2022) . As former first grade teachers, we know this from experience. 

    The research on the positive impact of agency, motivation, engagement and metacognition on reading success is equally well established (Afflerbach, 2021, Fisher et al, 2017, Guthrie et al, 1996). However, this second set of foundational skills does not garner an equal amount of attention in curriculum or in the national conversation around best practices. Again, as former first grade teachers, we know this from experience too. We remember well students who could proficiently decode multisyllabic words, and yet did not regularly show high levels of engagement in the classroom reading community. For these students, turning toward these more affective foundational skills was the key to unlocking their potential.

    Can you picture students in your classroom who possess strong cognitive skills, yet might lack the confidence or motivation to put them into action?

    We invite you to embrace a broad view of foundational skills that encompasses both the cognitive (phonics, phonemic awareness, vocabulary, comprehension and fluency) and affective (agency, motivation, engagement and metacognition) aspects of long term reading success. Below we offer a quick definition of each affective foundational skill mentioned here.

    Affective  Foundational Skills At A Glance

    SkillsWhat it isWhy it matters
    AgencyA student’s ability to take strategic self-directed action in pursuit of self-established goals.Students with a strong sense of agency are more likely to take ownership of their own learning.  
    Agentive readers comprehend texts more deeply and are more likely to be engaged, independent, and confident.
    MotivationA student’s drive to read, including their purpose for reading.Students are more likely to choose to read, have a variety of reasons for reading, and persevere through challenges. Motivated readers are more engaged.
    Engagement A student’s ability to immerse themselves in reading, including their level of cognitive effort, behavior and interest.Students are more likely to reap the full emotional and academic benefits of reading, enjoy reading more and read with greater frequency.
    Engaged students are more motivated.
    MetacognitionA student’s awareness of the cognitive skills readers use and their ability to put these skills into action.Students who are metacognitive will stop reading when meaning breaks down, can flexibly  use a variety of strategies, and are aware of their own strengths and next steps.

    Having this broad understanding of what is “foundational” frees us to include both the teaching of reading and the teaching of readers. Of course, we need to support children as they begin to decode words, determine the main idea or discuss character traits; however, we also need to teach students to find books that they love, to be able to read for extended periods of time, to know when they no longer understand what is happening in a book and to decide which strategy to use to rediscover the plot. These two sets of skills go hand in hand.

    One way to get started thinking about how cognitive and affective foundational skills work together is to turn to the concept of student reading identity. Prioritize getting to know students in this more holistic way by conducting a Discovery Conference.  You can do this while you give other 1:1 assessments or anytime you are with an individual student while reading.  For more on this, please see our earlier CCIRA blog post,   Reflection and Discovery: The Power of Reading Identity in Independent Reading.

    Now let’s consider how we might respond to this new broad understanding of students’ strengths and opportunities for growth. There are already a wealth of resources and instructional moves upon which you can rely to respond to students’ specific needs in the cognitive foundational skills.  We find there are fewer such resources that explore concrete ways for teachers to respond to students’ affective needs. Here we offer moves that work to highlight and strengthen the affective foundational skills of your readers. 

    The good news is that you do not need to purchase any new materials or make more time in your day. Instead, you can be intentional about your language. All approaches to reading instruction include feedback. Regardless of your schools’ approach to reading instruction, we decide what to say to students and how to receive and act on the feedback they provide us. Explore the following tips about ways to intentionally teach affective foundational skills, considering which might be most impactful in your classroom:

    • Notice and clearly name agency, motivation, engagement and metacognition as strengths. Strengths based feedback is a powerful teaching tool that calls students’ attention to the work they are already doing, validating it as worthy of attention and working to build confidence. Highlight affective skills alongside cognitive skills to bring students’ attention to the wide range of their abilities.  Here are some examples of what that feedback might sound like:
      • “I noticed that you read for all of reading time today. That is important because reading a lot and for a long time is how we grow as readers. You are the kind of reader who is really motivated to keep reading, even when there are a lot of distractions.”
      • “You read and reread that book so many times because you love it so much, and you recommended it to other readers in the class. Every time you reread a book, you learn something new. You are a very engaged reader.”
      • “You thought a lot about what strategy you could use to figure out that really long word. You knew that you could try different strategies when one did not work. Trying different strategies is something that you can always do when you read.”
    • Use prompts that encourage student agency. 

    The types of questions we use when engaging students as readers can encourage increased agency and emphasize your belief in their ability to work through obstacles independently.  When working alongside readers, encourage them to tackle obstacles by relying upon their own strengths. When students encounter challenges, rely on agentive prompts such as:

    •  “What can you do?” 
    • “How did that go?” 
    • “What else can you try?” 
    • “Did that work?”
    • “How do you know?” 
    • Use prompts that highlight students’ metacognitive knowledge and use.  We tend to focus on outcomes: was a student able to successfully sound out a word or not? Instead, highlight a student’s process, which increases and allows you insight into their metacognitive ability. Rely on feedback and prompts such as:
      • Naming the strategy you observed the student using: “I saw that you read the word once, and then you reread the word to make sure that it made sense.”
      • Ask students to reflect on their own process: “What did you do when you (name the obstacle)?”
    • Provide students choice whenever possible. Choice invites increased engagement and provides students with the opportunity to act agentively, making meaningful decisions about their own learning. Teach into these types of meaningful choices by naming why they are important to readers. For example, you might highlight that choosing a purpose, or why we read, is important to how we stay engaged in and make meaning from text. Consider integrating these high impact choices when possible:
      • Choice of text, genre and/or author
      • Choice of purpose for reading
      • Choice of where to read
      • Choice of with whom to read

    There is no magical, best way to teach reading and readers. The effective teaching of reading relies upon expert teachers making in-the-moment decisions to meet the needs of their students. The following formula works to guide those decisions:

    Cognitive Foundational Skills + Affective Foundational Skills= 

    Lasting Academic Success

    We started this post by sharing a story of a kindergartener’s enthusiastic response to reading. While it may seem the result of a magical day when everything just clicked, in reality, this moment was a result of the careful creation of a classroom in which students’ cognitive and affective skills are intentionally and consistently nurtured.

    Educators live in the world of “and.”  We are teachers of reading and we are teachers of readers.  We are experts in cognitive foundational skills that unlock texts and we are attune to the affective foundational skills that nurture confidence and purpose. When we embrace a broad view of these essential foundational skills, we open the door for all students to be capable and confident readers.

    Citations:

    Afflerbach, Peter (2021). Teaching readers (Not reading): Moving beyond skills and strategies to reader-focused instruction. New York, NY: The Guilford Press. Fisher, F., Frey, N., Quaglia, R., Smith, D., & Lande, L.L. (2017). Engagement bydesign: Creating learning environments where students thrive. Thousand Oaks, CA: Corwin.

    Guthrie, J.T., Meter, V., McCann, A.D., Wigfield, A., Bennett, L., Poundstone, C.C., Rice, M.E., Faisbisch, F.M., Hunt, B., & Mitchell, A.M. (1996). Growth of literacy engagement:Changes in motivations and strategies during concept oriented reading instruction.  Reading Research Quarterly, (31)3, p-306-332.

    Young, C., Paige, D., & Rasinski, T.V. (2022). Artfully teaching the science of reading,1st edition. New York, NY: Routledge.

    Hannah Schneewind partners with teachers to design literacy opportunities that center students.  She  began her career as a teacher in Brooklyn, NY; she then worked as a staff developer for the Teachers College Reading and Writing Project. Hannah is the co-author of Trusting Readers: Powerful Practices for Independent Reading (Heinemann). 

    Dr. Jennifer Scoggin collaborates with teachers to create engaging literacy opportunities for children in elementary classrooms.  Jen began her career teaching first and second grades in Harlem, NY.  She holds a doctorate in curriculum and instruction from Teachers College, Columbia University and has previously published two books about literacy instruction and classroom life.. Jen is the co-author of Trusting Readers: Powerful Practices for Independent Reading (Heinemann) and is the co-founder of Trusting Readers LLC.

    Jen and Hannah are currently collaborating on a new book focused on reading identity to be published by Stenhouse in 2026.